"The 100" Has a White Feminism Problem

“From the ashes, we will rise” is the tagline of the new and current season of CW’s The 100. It’s catchy, pithy, and fits in well with the show’s whole radiation nuisance that’s always hovering in the background of every season. But while radiation is certainly an upcoming threat, another issue has begun to rear its ugly head in the show: white feminism.

But first, what is white feminism? Traditionally, it’s feminism that focuses on the oppression that white women face and puts their struggles first, while failing to address or otherwise recognize other injustices faced by women of color, members of the LGBTQ community, disabled women, and so on. It’s Tilda Swinton’s emails to Margaret Cho where she essentially asked for a personal lesson plan in whitewashing and race in Hollywood from a woman of color. It’s Scarlett Johansson shrugging off the whitewashing in Ghost in the Shell by reminding us all how important it is to have a franchise with a female protagonist, even if that protagonist was meant to be Japanese. It’s the continual ignorance of white women to the intersectional nature of feminism and the failure to recognize that not all forms of feminism are equally beneficial to all women.